Larsen's status as a Harlem Renaissance woman writer was rivaled by only Zora Neale Hurston's. An unusually rich "Background and Contexts" section connects the novel to the historical events of the day, most notably the sensational Rhinelander/Jones case of 1925. Fourteen contemporary reviews are reprinted, including those by Alice Dunbar-Nelson, Mary Griffin, and W. E. B. Du Bois. Published accounts from 1911 to 1935--by Langston Hughes, Juanita Ellsworth, and Caleb Johnson, among others--provide a nuanced view of the contemporary cultural dimensions of race and passing, both in America and abroad. Also included are Larsen's statements on the novel and on passing, as well as a generous selection of her letters and her central writings on "The Tragic Mulatto(a)" in American literatur ...Read More
Larsen's status as a Harlem Renaissance woman writer was rivaled by only Zora Neale Hurston's. An unusually rich "Background and Contexts" section connects the novel to the historical events of the day, most notably the sensational Rhinelander/Jones case of 1925. Fourteen contemporary reviews are reprinted, including those by Alice Dunbar-Nelson, Mary Griffin, and W. E. B. Du Bois. Published accounts from 1911 to 1935--by Langston Hughes, Juanita Ellsworth, and Caleb Johnson, among others--provide a nuanced view of the contemporary cultural dimensions of race and passing, both in America and abroad. Also included are Larsen's statements on the novel and on passing, as well as a generous selection of her letters and her central writings on "The Tragic Mulatto(a)" in American literatur ...Read More
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